Josh T Franco
Art history, made by hand.
WORDS
Marfa, Marfa (forthcoming book)
zingchats
Exhibition Statements
Reviews
Brown Neon: An Interview with Raquel Gutiérrez
Influence/Inheritance: Hiram y Miguel at Play
A Questionnaire on Decolonization
There Are No Amateurs in Far West Texas
American Rupestria: Teresita Fernández
The Bound Critics
Hispanic Hoopla
Dear Theaster: Considering Black Power and Rasquachismo
Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
POSED-MINIMALISM
Yo Soy Guadalupe
Diversity statement for School of Visual Arts MFA Fine Arts Program
Look Slow, Beware Set
Dear Joshua, All My Love
-empyre-soft_skinned_space
EXPOSED: Process, Couture and Photography in Marfa, Texas
Letter To Donald Judd
MARFITA: A Toltec Methodology
Rebozo [Man] In Nepantla
(Un)traceable Circuits: Insects, Cognition, and Mexican Masks
ART
My Practice
Scriptoria con safos
Watercolor Studies
Yard Art
Leaving Marks
Stone Resting on Georgia O'Keeffe
SNAKE ATLAS
Aries Season
PICTURES ELSEWHERE
The Primitives' Revenge
slugs’ garden / cultivo de babosas (2017)
in tlilli in tlapalli: three tejanos in red and black (otra vez)
impurity takes huevos y reading con cariño (for María Lugones)
slugs’ garden / cultivo de babosas (2014)
Injun Huntin'
in tlilli in tlapalli: three tejanos in red and black
Teléfono Piece
MARFITA
Rebozo [Man]
ABOUT
BIO
CV
PRESS + CITATIONS
CONTACT
POSTARTHISTORY
WORDS
Marfa, Marfa (forthcoming book)
zingchats
Exhibition Statements
Reviews
Brown Neon: An Interview with Raquel Gutiérrez
Influence/Inheritance: Hiram y Miguel at Play
A Questionnaire on Decolonization
There Are No Amateurs in Far West Texas
American Rupestria: Teresita Fernández
The Bound Critics
Hispanic Hoopla
Dear Theaster: Considering Black Power and Rasquachismo
Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
POSED-MINIMALISM
Yo Soy Guadalupe
Diversity statement for School of Visual Arts MFA Fine Arts Program
Look Slow, Beware Set
Dear Joshua, All My Love
-empyre-soft_skinned_space
EXPOSED: Process, Couture and Photography in Marfa, Texas
Letter To Donald Judd
MARFITA: A Toltec Methodology
Rebozo [Man] In Nepantla
(Un)traceable Circuits: Insects, Cognition, and Mexican Masks
ART
My Practice
Scriptoria con safos
Watercolor Studies
Yard Art
Leaving Marks
Stone Resting on Georgia O'Keeffe
SNAKE ATLAS
Aries Season
PICTURES ELSEWHERE
The Primitives' Revenge
slugs’ garden / cultivo de babosas (2017)
in tlilli in tlapalli: three tejanos in red and black (otra vez)
impurity takes huevos y reading con cariño (for María Lugones)
slugs’ garden / cultivo de babosas (2014)
Injun Huntin'
in tlilli in tlapalli: three tejanos in red and black
Teléfono Piece
MARFITA
Rebozo [Man]
ABOUT
BIO
CV
PRESS + CITATIONS
CONTACT
POSTARTHISTORY
ART
/
My Practice
ART
/
Scriptoria con safos
ART
/
Watercolor Studies
ART
/
Yard Art
ART
/
Leaving Marks
ART
/
Stone Resting on Georgia O'Keeffe
ART
/
SNAKE ATLAS
ART
/
Aries Season
ART
/
PICTURES ELSEWHERE
ART
/
The Primitives' Revenge
ART
/
slugs’ garden / cultivo de babosas (2017)
ART
/
in tlilli in tlapalli: three tejanos in red and black (otra vez)
ART
/
impurity takes huevos y reading con cariño (for María Lugones)
ART
/
slugs’ garden / cultivo de babosas (2014)
ART
/
Injun Huntin'
ART
/
in tlilli in tlapalli: three tejanos in red and black
ART
/
Teléfono Piece
ART
/
MARFITA
ART
/
Rebozo [Man]
![Rebozo [Man] in Nepantla](https://images.squarespace-cdn.com/content/v1/536a8190e4b0e58dd0b52f52/1429996775637-5BBZWZNSUALGP2QDWKYP/4.JPG.jpeg)