Josh T Franco
Art history, made by hand.
WORDS
Marfa, Marfa (forthcoming book)
zingchats
Exhibition Statements
Reviews
Brown Neon: An Interview with Raquel Gutiérrez
Dear Felix (On Queer Brown Envy)
A Questionnaire on Decolonization
There Are No Amateurs in Far West Texas
American Rupestria: Teresita Fernández
The Bound Critics
Hispanic Hoopla
Dear Theaster: Considering Black Power and Rasquachismo
Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
POSED-MINIMALISM
Yo Soy Guadalupe
Diversity statement for School of Visual Arts MFA Fine Arts Program
Look Slow, Beware Set
Dear Joshua, All My Love
-empyre-soft_skinned_space
EXPOSED: Process, Couture and Photography in Marfa, Texas
Letter To Donald Judd
MARFITA: A Toltec Methodology
Rebozo [Man] In Nepantla
(Un)traceable Circuits: Insects, Cognition, and Mexican Masks
ART
My Practice
Stone Resting on Georgia O'Keeffe
SNAKE ATLAS
Aries Season
PICTURES ELSEWHERE
The Primitives' Revenge
Scriptorium con safos: Prologue
slugs’ garden / cultivo de babosas (2017)
in tlilli in tlapalli: three tejanos in red and black (otra vez)
impurity takes huevos y reading con cariño (for María Lugones)
slugs’ garden / cultivo de babosas (2014)
Injun Huntin'
in tlilli in tlapalli: three tejanos in red and black
Teléfono Piece
MARFITA
Rebozo [Man]
ABOUT
BIO
CV
PRESS + CITATIONS
CONTACT
POSTARTHISTORY
WORDS
Marfa, Marfa (forthcoming book)
zingchats
Exhibition Statements
Reviews
Brown Neon: An Interview with Raquel Gutiérrez
Dear Felix (On Queer Brown Envy)
A Questionnaire on Decolonization
There Are No Amateurs in Far West Texas
American Rupestria: Teresita Fernández
The Bound Critics
Hispanic Hoopla
Dear Theaster: Considering Black Power and Rasquachismo
Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
POSED-MINIMALISM
Yo Soy Guadalupe
Diversity statement for School of Visual Arts MFA Fine Arts Program
Look Slow, Beware Set
Dear Joshua, All My Love
-empyre-soft_skinned_space
EXPOSED: Process, Couture and Photography in Marfa, Texas
Letter To Donald Judd
MARFITA: A Toltec Methodology
Rebozo [Man] In Nepantla
(Un)traceable Circuits: Insects, Cognition, and Mexican Masks
ART
My Practice
Stone Resting on Georgia O'Keeffe
SNAKE ATLAS
Aries Season
PICTURES ELSEWHERE
The Primitives' Revenge
Scriptorium con safos: Prologue
slugs’ garden / cultivo de babosas (2017)
in tlilli in tlapalli: three tejanos in red and black (otra vez)
impurity takes huevos y reading con cariño (for María Lugones)
slugs’ garden / cultivo de babosas (2014)
Injun Huntin'
in tlilli in tlapalli: three tejanos in red and black
Teléfono Piece
MARFITA
Rebozo [Man]
ABOUT
BIO
CV
PRESS + CITATIONS
CONTACT
POSTARTHISTORY
WORDS
/
Marfa, Marfa (forthcoming book)
WORDS
/
zingchats
WORDS
/
Exhibition Statements
WORDS
/
Reviews
WORDS
/
Brown Neon: An Interview with Raquel Gutiérrez
WORDS
/
Dear Felix (On Queer Brown Envy)
WORDS
/
A Questionnaire on Decolonization
WORDS
/
There Are No Amateurs in Far West Texas
WORDS
/
American Rupestria: Teresita Fernández
WORDS
/
The Bound Critics
WORDS
/
Hispanic Hoopla
WORDS
/
Dear Theaster: Considering Black Power and Rasquachismo
WORDS
/
Roll Call (Joan Mitchell Foundation 2016 Emerging Artists catalogue)
WORDS
/
Más Rudas Collective, 2009-2016 (An Archival Epilogue to an Epic Pachanga)
WORDS
/
POSED-MINIMALISM
WORDS
/
Yo Soy Guadalupe
WORDS
/
Diversity statement for School of Visual Arts MFA Fine Arts Program
WORDS
/
Look Slow, Beware Set
WORDS
/
Dear Joshua, All My Love
WORDS
/
-empyre-soft_skinned_space
WORDS
/
EXPOSED: Process, Couture and Photography in Marfa, Texas
WORDS
/
Letter To Donald Judd
WORDS
/
MARFITA: A Toltec Methodology
WORDS
/
Rebozo [Man] In Nepantla
WORDS
/
(Un)traceable Circuits: Insects, Cognition, and Mexican Masks
![Rebozo [Man] in Nepantla: Xican@ Gender & Arts Revolution In San Anto, Tejas](https://images.squarespace-cdn.com/content/v1/536a8190e4b0e58dd0b52f52/1399727209036-DH89E221HXB17DZPO5LF/Franco+fig+4.jpg)
